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	<pubDate>Mon, 09 Dec 2024 17:22:51 +0000</pubDate>
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		<title>HOME</title>
				
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		<pubDate>Wed, 07 Jun 2023 18:56:07 +0000</pubDate>

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		<title>PROYECTOS / PROJECTS</title>
				
		<link>https://carolaspencer.com/PROYECTOS-PROJECTS</link>

		<pubDate>Wed, 07 Jun 2023 18:56:13 +0000</pubDate>

		<dc:creator>carolaspencer</dc:creator>

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		<title>Acciones Líquidas I</title>
				
		<link>https://carolaspencer.com/Acciones-Liquidas-I</link>

		<pubDate>Tue, 13 Jun 2023 02:23:56 +0000</pubDate>

		<dc:creator>carolaspencer</dc:creator>

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		<description>ACCIONES LÍQUIDAS I
	ES
La serie Acciones Líquidas I explora el medio fotográfico. En ella la fotografía es estresada y cubiertas con leche simulando un error o accidente. La imagen resultante de estos procedimientos, cambia por completo el sentido de la imagen inicialmente retratada y pone de manifiesto esa extraña posibilidad de transmutar la bidimensionalidad de las imágenes al darles una nueva corporalidad y volumetría.
Esta exploración por una parte tensiona el carácter fijo, rígido e inmutable de la imagen que congela el tiempo y es testimonio, a la luz de los tiempos líquidos en los que vivimos (Bauman) que se caracterizarían por ser flexibles y volubles; al mismo tiempo que rescata la cercanía con lo acuoso que tenía el trabajo fotográfico del cuarto oscuro, que hoy en día con la tecnologización y digitalización nos parecen procesos tan extraños y ajenos.

Esta serie ha sido exhibida en la muestra colectiva en Galería NAC en Santiago de Chile (2021)&#38;nbsp; y en la Feria Mira en la ciudad de Santa cruz de la Sierra Bolivia (2023)


	EN

The series Liquid Actions I explores the photographic medium. In this series, photographs are stressed and covered with milk, simulating an error or accident. The resulting image from these procedures completely changes the meaning of the initially captured image and highlights the strange possibility of transmuting the two-dimensionality of images by giving them a new corporeality and volumetric quality.

This exploration, on one hand, challenges the fixed, rigid, and immutable nature of the image that freezes time and serves as a testimony, in the light of the liquid times in which we live (Bauman), characterized by being flexible and volatile. At the same time, it recaptures the closeness to the watery nature that the photographic work in the darkroom used to have, which nowadays, with technologization and digitization, appears to us as such strange and distant processes. 

This series has been exhibited in the collective exhibition at Galería NAC in Santiago de Chile (2021) and at the Mira Fair in the city of Santa Cruz de la Sierra, Bolivia (2023).





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		<title>Cuarentena en imágenes</title>
				
		<link>https://carolaspencer.com/Cuarentena-en-imagenes</link>

		<pubDate>Tue, 01 Aug 2023 16:18:26 +0000</pubDate>

		<dc:creator>carolaspencer</dc:creator>

		<guid isPermaLink="true">https://carolaspencer.com/Cuarentena-en-imagenes</guid>

		<description>Cuarentena en imágenes

	ES




















Cuarentena en imágenes fue un proyecto de Revista
Paula en la que invitaron a distintas fotógrafas y fotógrafos a retratar su
cotidaneidad durante la cuarentena. 








Artículo en La Tercera aquí.

	EN



















Quarantine in Images
was a project by Revista Paula in which they invited different female and male
photographers to capture their life during the quarantine.







Feature in La Tercera here.


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		<title>El color y su sombra</title>
				
		<link>https://carolaspencer.com/El-color-y-su-sombra</link>

		<pubDate>Mon, 09 Dec 2024 17:22:51 +0000</pubDate>

		<dc:creator>carolaspencer</dc:creator>

		<guid isPermaLink="true">https://carolaspencer.com/El-color-y-su-sombra</guid>

		<description>El color y su sombra
	
ES




















Esta serie retrata la vegetación a través de experimentos en los que se explora la triple relación figura- sombra-fondo. Los retratos se realizan en terreno, sin mediar o intervenir ni la flora ni la sombra que ésta proyecta.

	
EN



















This series portrays vegetation through experiments exploring the triple relationship between figure, shadow, and background. The portraits are created on-site, without altering or intervening in either the flora or the shadows it casts.









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</description>
		
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		<title>Acciones Líquidas II</title>
				
		<link>https://carolaspencer.com/Acciones-Liquidas-II</link>

		<pubDate>Wed, 07 Jun 2023 18:56:14 +0000</pubDate>

		<dc:creator>carolaspencer</dc:creator>

		<guid isPermaLink="true">https://carolaspencer.com/Acciones-Liquidas-II</guid>

		<description>Acciones Líquidas II
	
ES
La serie Acciones Líquidas II también explora el medio fotográfico y en este caso la imagen es sumergida en agua y luego guardada en el congelador. Me interesa explorar cómo se puede transmutar lo líquido a lo sólido.

La imagen resultante de estos procedimientos, cambia por completo el sentido de la imagen inicialmente retratada y pone de manifiesto esa extraña posibilidad de transmutar la bidimensionalidad de las imágenes al darles una nueva corporalidad y volumetría.
Esta exploración por una parte tensiona el carácter fijo, rígido e inmutable de la imagen que congela el tiempo y es testimonio, a la luz de los tiempos líquidos en los que vivimos (Bauman) que se caracterizarían por ser flexibles y volubles; al mismo tiempo que rescata la cercanía con lo acuoso que tenía el trabajo fotográfico del cuarto oscuro, que hoy en día con la tecnologización y digitalización nos parecen procesos tan extraños y ajenos.
Esta serie ha sido exhibida en la muestra colectiva en Galería NAC en Santiago de Chile (2021)&#38;nbsp; y en la Feria Mira en la ciudad de Santa cruz de la Sierra Bolivia (2023)

	
EN
The series Liquid Actions II also explores the photographic medium, and in this case, the image is submerged in water and then stored in the freezer. I am interested in exploring how the liquid can be transmuted into the solid.
The resulting image from these procedures completely changes the meaning of the initially captured image and highlights the strange possibility of transmuting the two-dimensionality of images by giving them a new corporeality and volumetric quality.

This exploration, on one hand, challenges the fixed, rigid, and immutable nature of the image that freezes time and serves as a testimony, in the light of the liquid times in which we live (Bauman), characterized by being flexible and volatile. At the same time, it recaptures the closeness to the watery nature that the photographic work in the darkroom used to have, which nowadays, with technologization and digitization, appear to us as such strange and distant processes.

This series has been exhibited in the collective exhibition at Galería NAC in Santiago de Chile (2021) and at the Mira Fair in the city of Santa Cruz de la Sierra, Bolivia (2023).



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</description>
		
	</item>
		
		
	<item>
		<title>SERIE 1+1=3</title>
				
		<link>https://carolaspencer.com/SERIE-1-1-3</link>

		<pubDate>Tue, 13 Jun 2023 03:01:14 +0000</pubDate>

		<dc:creator>carolaspencer</dc:creator>

		<guid isPermaLink="true">https://carolaspencer.com/SERIE-1-1-3</guid>

		<description>1+1=3


	ES
La serie “1+1=3” resulta del Taller de Tutorías 2016-2017 realizado con Alicia Villarreal. La serie fue exhibida en Espacio O en 2018 en conjunto con el trabajo de Bárbara Aguirre bajo el nombre “Hacer Visible”.

“Dos artistas emergentes descomponen el espacio, cada una desde su especificidad, sumando capas que aluden a la escisión entre lo que vemos, y lo que proyectamos sobre aquello que observamos. El sentido de Hacer visible alude tanto al trabajo del artista, como productor de visión, como al ejercicio de acompañamiento en el proceso creativo que exige afinar la observación sobre aquello que se quiere señalar, un territorio invisible, mientras no se construye” Alicia Villarreal.

	EN
The series "1+1=3" is the result of the Tutoring Workshop 2016-2017 carried out with Alicia Villarreal. The series was exhibited at Espacio O in 2018 together with the work of Bárbara Aguirre under the name of "Hacer Visible" (Making Visible).

"Two emerging artists deconstruct space, each from their own specificity, adding layers that allude to the division between what we see and what we project onto what we observe. The concept of 'Making Visible' refers to both the artist's work as a producer of vision and the exercise of accompaniment in the creative process that requires refining observation of what one wants to point out, an invisible territory until it is constructed." - Alicia Villarreal.





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</description>
		
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	<item>
		<title>Artefactos</title>
				
		<link>https://carolaspencer.com/Artefactos</link>

		<pubDate>Tue, 11 Jul 2023 16:09:09 +0000</pubDate>

		<dc:creator>carolaspencer</dc:creator>

		<guid isPermaLink="true">https://carolaspencer.com/Artefactos</guid>

		<description>Artefactos

	ES
Estas fotografías análogas en blanco y negro fueron presentadas en la Galería XS en Julio de 2018 en una exposición colectiva llamada “Artefactos”. El texto de la exhibición detalla:
“Galería XS presenta Artefactos, una selección de fotografías de Javier Aravena, Alexis Mandujano, Sebastián Mejía, Cristóbal Palma y Carolina Spencer. En esta exposición se retrata la vida vegetal en relación a lo urbano, a lo intimo, a lo alterado y artificial. Se destaca la "planta" como idea difusa, como objeto que fluctúa constantemente entre lo natural y lo cultural. 

En un continuo de contextos silvestres, semi cultivados y domesticados, los sujetos responden a estados humanos intencionales. La palmera puede interrumpir el paisaje urbano, como en el trabajo de Sebastián Mejía, atravesando espacios públicos, sobrepasando paneles improvisados de un centro comercial. Pero también pueden funcionar como complemento; Cristóbal Palma adjunta la carga simbólica de un olivo a un monasterio modernista, o la resiliencia de un cactus al edificio de la Cepal. 

Pero la tensión entre la ciudad de Santiago y su flora asociada, también se encuentra en las narrativas históricas y privadas. Javier Aravena registra la reinstauración de la flora en los relaves de la mina La Africana, en Pudahuel luego de haber sido clausurada. En las fotografías de Carolina Spencer se reconoce un Filodendro por su forma y simetría. En un escenario intimista, al interior de consulta de atención psiquiátrica en Providencia, un Filodendro puede ser solo una planta decorativa, o una alusión a la fragilidad de la conciencia. 

La idea de la planta como objeto natural se puede corromper desde adentro y desde afuera. Una flor se puede observar bajo un punto de vista técnico e industrial desde la ingeniería genética, o en la fotografía de Alexis Mandujano, con herramientas visuales propias del cine y la publicidad. Pero más que la artefactualización de las plantas en objetos bien diseñados, la alteración de la imagen, su individualización extrema, nos recuerda que las ideas de naturaleza y vida ya no se pueden equiparar” 

- Galería XS


	EN
These analogue black and white photographs were presented at Gallery XS in July 2018 in a collective exhibition called "Artifacts." The exhibition text details:

"Gallery XS presents Artifacts, a selection of photographs by Javier Aravena, Alexis Mandujano, Sebastián Mejía, Cristóbal Palma, and Carolina Spencer. This exhibition portrays plant life in relation to the urban, the intimate, the altered, and the artificial. The 'plant' is highlighted as a diffuse idea, as an object that constantly fluctuates between the natural and the cultural.

In a continuum of wild, semi-cultivated, and domesticated contexts, the subjects respond to intentional human states. The palm tree can interrupt the urban landscape, as seen in Sebastián Mejía's work, crossing public spaces, surpassing improvised panels of a shopping centre. But they can also function as a complement; Cristóbal Palma attaches the symbolic burden of an olive tree to a modernist monastery, or the resilience of a cactus to the CEPAL building.

However, the tension between the city of Santiago and its associated flora is also found in historical and private narratives. Javier Aravena documents the reestablishment of flora in the tailings of the La Africana mine in Pudahuel after it was closed. In Carolina Spencer's photographs, a Philodendron is recognized by its shape and symmetry. In an intimate setting, inside a psychiatric care consultation in Providencia, a Philodendron can be just a decorative plant or an allusion to the fragility of consciousness.

The idea of the plant as a natural object can be corrupted from within and from without. A flower can be observed from a technical and industrial perspective through genetic engineering, or in the photography of Alexis Mandujano, using visual tools from cinema and advertising. But more than the artifactuality of plants into well-designed objects, the alteration of the image, its extreme individualization, reminds us that the concepts of nature and life can no longer be equated."

- Galería XS





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</description>
		
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	<item>
		<title>Franca</title>
				
		<link>https://carolaspencer.com/Franca</link>

		<pubDate>Tue, 11 Jul 2023 17:03:12 +0000</pubDate>

		<dc:creator>carolaspencer</dc:creator>

		<guid isPermaLink="true">https://carolaspencer.com/Franca</guid>

		<description>
	Franca


















ES

Galería Franca realizó
el 26 de agosto de 2022 una convocatoria abierta para la
exposición colectiva MNEMÓSINE. La selección de artistas fue curada por &#38;nbsp;Camila Alegría y Victoria Guzmán. 









	

EN




















Galería Franca
held an open call on August 26, 2022, for the collective exhibition MNEMÓSINE.
The selection of artists was curated by Camila Alegría and Victoria Guzmán











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</description>
		
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	<item>
		<title>Serie Luz y Agua</title>
				
		<link>https://carolaspencer.com/Serie-Luz-y-Agua</link>

		<pubDate>Fri, 30 Jun 2023 14:40:02 +0000</pubDate>

		<dc:creator>carolaspencer</dc:creator>

		<guid isPermaLink="true">https://carolaspencer.com/Serie-Luz-y-Agua</guid>

		<description>Serie Luz y Agua

	ES
La serie fotográfica “Luz y Agua” fue realizada durante el taller de producción de obra guiado por Alicia Villarreal entre los meses de marzo del 2020 a marzo del 2021. 

El proyecto surge de las restricciones impuestas por la pandemia que me llevaron a volcar la mirada hacia el único espacio verde y natural que tuve en confinamiento que era el jardín de mi casa. A través de un registro diario con la cámara de mi celular este espacio se convirtió en la prolongación de lo privado y lo doméstico, un laboratorio de exploración fotográfica y el lugar donde poder oxigenar el aislamiento y la pérdida de libertad. Estos registros junto con retratar los cambios de la naturaleza evidencian mis cambios personales y experiencias vividas. A través&#38;nbsp;del fotomontaje digital propongo una&#38;nbsp;reconfiguración de esta&#38;nbsp;experiencia pandémica.

Este proyecto ganó la convocatoria realizada en 2021 por el colectivo AfanChile en asociación con MAVI llamada “La imagen en la pandemia”.

Los proyectos seleccionados fueron expuestos en la Plaza Mulato Gil el 29 de agosto de 2021 en celebración del Mes de la fotografía.


	EN
The photographic series “Light and water” was created during the artwork production workshop guided by Alicia Villarreal from March 2020 to March 2021.

The project emerged from the restrictions imposed by the pandemic, which led me to shift my focus towards the only green and natural space I had during confinement, which was the garden of my house. Through daily recording with the camera on my cell phone, this space became an extension of the private and domestic sphere, a laboratory for photographic exploration, and a place to breathe amidst isolation and loss of freedom. These records, along with portraying the changes in nature, reveal my personal transformations and lived experiences. Through digital photomontage, I propose a reconfiguration of this pandemic experience.

This project won the call for submissions made in 2021 by the AfanChile collective in association with MAVI, titled "The Image in the Pandemic".

The selected projects were exhibited at Plaza Mulato Gil on August 29, 2021, as part of the celebration of Photography Month.




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